"I don't know if [my songwriting] has moved forward," he
continues. "It's moved to the side. There's always going to be something
special about [Weezer]. There's always going to be something special about
Pinkerton. I'm just happy that it has slowly gotten some respect. It's weird. I
almost feel like now that Pinkerton has become kind of successful, it's almost
like we have to deal with the pressure allover again. Nowadays, I think I like
challenges. I feel like we're up to it
now. After the blue album got so big, something felt wrong to me like we
weren't good enough to deserve that much of a spotlight. We needed time to get
our act together-me as a songwriter and us as a band. Now I feel like we're a
lot better in every facet of our band. I'm looking forward to the challenge of
the spotlight."
Do you feel the band have something to
prove?
"I
just feel extremely grateful that we have the chance to do this again. I feel
very relieved that it's not over."
But
have they Ironed out their internal issues?
There is still some tension lingering, it
seems. Asked how he and
Cuomo
sorted out their difficulties, Wilson gives an elliptical answer
that
makes it clear he might not be doing this if his own band, Special
Goodness,
had taken off the way he hoped four years ago. "Everybody just wants to
work, you know," he says. "So we're all on the same page in that
regard. Because it's cold out there." That's not exactly a vote of
confidence for band unity. One of the contentious points during Pinkerton
concerned videos. There was a time when Wilson and former bassist Matt Sharp-tired
of dull videos after the more vibrant Spike Jonze clips-told Cuomo they would
only do another video if they could appear in bear and bunny suits,
respectively.
So how about it? Any bunnysuit rentals forthcoming? "I don't
anticipate wearing a bunny suit," Wilson says, seated next to Cuomo.
"But we're also the kind of band that
listens to what other people are saying. If the director says, 'Hey, do
this,' I think we're much more likely to do it than we were before. We've been
able to recognize. That's a good thing, because I don't think we used to do
that so much. Whatever anybody wants to do is fine by me. That's my attitude on
almost everything we do."
Adds Cuomo, " A lot of it comes down to the songs, too. On Pinkerton,
they were such personal, autobiographical songs, so I didn't want the videos to
just totally contradict what the songs were about. I still feel the same way,
but now the songs are different. They're not so personal and autobiographical.
They're more universal. And I think we can accept some more outside input, and
some more things like bunny suits."
"I think we're also a lot more practical than we used to
be," says Wilson. "Look, face it, shit's changed big time in the last
five years. I mean, it's a business. What are you going to do? Tell your record
company, 'No, I don't want to do that?' We're in good shape and all. We're not
going to do anything we don't want to do. At the same time, we realize you've
got to make some sacrifices in some way."
At that particular moment, Cuomo speaks with more firmness and
less hesitation than at any time in the day. "I disagree. I don't
sacrifice anything for the record company." "Well, you're lucky to be
in that position," says Wilson. "They do exactly what we want[them]
to do. We've hired them to sell our record," Cuomo says. "Well, that's not exactly true,"
Wilson retorts. "If they didn't want us to make a record, they could
prevent it from happening. In one sense, I agree with you. In the other sense,
you have to see they could be a huge problem if they wanted to be."
It's here, however, where there's a real difference between the
Weezer of old and the band who are here today. Cuomo's confidence-in himself,
in his songs, and in his bandmates-seems to be at such an all-time high that
nothing is going to get in his way.
Beneath the shyness and
the reserve, the slight frame and the oversized glasses, now lies the quiet
determination of an artist who has found strength and grown a tougher shell.
Will that help him transcend the urges for the Brian Wilson-styled
self-destruction and defeat the second-guessing and self-loathing in an effort
to achieve songwriting genius? Or will it cover the emotional rawness that made
Pinkerton stand out, and make Cuomo a more distant, less direct and
therefore, less notable songwriter?
Stay tuned. The good news is the Weezer
story is no longer undone. There will be answers to these questions. "The cool thing is now I know there's
going to be a fourth record," says Cuomo. "I just have so much
faith
in our quality that I don't fear anything. We're totally in charge. "I'm
very optimistic about the future," he says, with a wide grin. "Now
that I've got my groove back on."